While Mayer often has a propensity for navel gazing, “I Guess I Just Feel Like" showcases him at his most unpretentious and introspective.
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The tune takes a surprising percussive zag before segueing into one of Mayer’s clean-lined guitar solos that, coupled with the synths that fade out the song, are ’80s glory. “New Light” is an irresistible chugger about second chances, with Mayer lamenting he’s “pushing 40 in the friend zone.” But when he croons “I want to take two/I want to break through/I want to know the real thing about you,” his earnestness is believable. On an album with many highlights, “Shouldn’t Matter But It Does” is a standout – an honest litany of “shoulda beens” (with a well-placed expletive) over gentle keyboard strains that complement the song’s pensive tone.
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The album cover is “Miami Vice” by way of Billy Squier, and the opening song, “Last Train Home,” shimmers with significant Steve Winwood vibes circa “Don’t You Know What the Night Can Do?”Īn Eau de Toto permeates “Wild Blue” and “Shot in the Dark,” with Mayer’s vocals sexy and silken as he continues his quest for love. His last album, “The Search for Everything” (2017), was a musical rendering of a psychiatrist’s couch, while “Born and Raised” (2012) tapped into his interest in Americana.īut for this latest effort, he has dedicated himself to revisiting the ’80s, not through tinny synthesizers or with overwrought flamboyance but with pleasant, pillowy soft rock. “Sob Rock” is Mayer’s first album in four years, as he has committed to touring with Dead & Company.
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Nearly 20 years after his debut album (“Room for Squares”) and the idealism of debut single “No Such Thing,” Mayer continues to explore. In the darkest days of the pandemic, John Mayer turned to the sounds that brought him a feeling of comfort: music from the ’80s.Īt 43, Mayer resides in the Gen-X realm of being raised on radio and MTV, and he has filtered those influences into his eighth album, “Sob Rock,” which arrived Friday.